For me, time passed is both instrument and substance—the invisible matter from which my jewelry emerges. I draw from an ancient past, a physical and philosophical terrain where time does not vanish but accumulates, layering itself like sediment. In that dimension, time is an active material: it shapes, describes, and gives form to what would otherwise remain immaterial.

My practice seeks to translate this unseen reservoir into objects that hold traces of memory, silence, and lived experience. Each piece becomes a small architecture of time, a vessel in which reflections, gestures, and fragments of the past condense. Through these works, I aim to render tangible what is usually lost to invisibility—allowing time itself to become wearable, intimate, and alive.